My Favorite Music of 2018

 

My Favorite Records of 2018:
Teardrop City – IT’S LATER THAN YOU THINK
Alejandro Escovedo w/ Don Antonio – THE CROSSING
Courtney Marie Andrews – MAY YOUR KINDNESS REMAIN
John Prine – THE TREE OF FORGIVENESS
Mount Eerie – NOW ONLY
Cat Power – WANDERER
Emma Ruth Rundle – ON DARK HORSES
Andrew Bryant – AIN’T IT LIKE THE COSMOS
Charles Bradley – BLACK VELVET
Courtney Barnett – TELL ME HOW YOU REALLY FEEL

Other records I really liked:
Erin Rae – PUTTING ON AIRS; Eric Bachmann – NO RECOVER; Phosphorescent – C’EST LA VIE; Damien Jurado – THE HORIZON JUST LAUGHED; Hop Along – BARK YOUR HEAD OFF, DOG; Lucy Dacus – HISTORIAN; Low – DOUBLE NEGATIVE; J Mascis – ELASTIC DAYS; Advance Base – ANIMAL COMPANIONSHIP; Soccer Mommy – CLEAN; Mitski – BE THE COWBOY; Kell Kellum – ADDING TO THE ASHES; Swamp Dogg – LOVE, LOSS, & AUTO-TUNE; Lonnie Holley – MITH; The Gunshy – UNDEFEATED; Neko Case – HELL-ON; Okkervil River – IN THE RAINBOW RAIN; Janelle Monáe – DIRTY COMPUTER; Haley Heynderickx – I NEED TO START A GARDEN; Rhett Miller – THE MESSENGER; H.C. McEntire – LIONHEART; The Rock*A*Teens – SIXTH HOUSE; Wussy – WHAT HEAVEN IS LIKE; Marie/Lepanto – TENKILLER; First Aid Kit – RUINS; Lindi Ortega – LIBERTY; The Great Dying – BLOODY NOSES & ROSES; Anne Freeman – DAYS GO BY; Molly Burch – FIRST FLOWER; Charles Lloyd & The Marvels + Lucinda Williams, VANISHED GARDENS; The Breeders, ALL NERVE; Ruby Boots – DON’T TALK ABOUT IT; Swearin’ – FALL INTO THE SUN; Marianne Faithfull – NEGATIVE CAPABILITY; Cody Rogers – MY HEART IS THE MOST LONESOME RODEO; Richard Swift – THE HEX; Laura Jane Grace and the Devouring Mothers – BOUGHT TO ROT; Jeff Tweedy – WARM; Nathan Salsburg – THIRD; Kamasi Washington – HEAVEN & EARTH; Elephant Micah – Genericana

Favorite EPs:
Tony Molina – KILL THE LIGHTS
boygenius – S/T
Waxahatchee – GREAT THUNDER
Grouper – GRID OF POINTS
Sera Cahoone – THE FLORA STRING SESSIONS
Liz Brasher – OUTCAST

Favorite Reissues/Live Albums, etc:
Bob Dylan – MORE BLOOD, MORE TRACKS
Songs: Ohia – LOVE & WORK: THE LIONESS SESSIONS
Various – BASEMENT BEEHIVE: THE GIRL GROUP UNDERGROUND
Various – BURIED COUNTRY
Various – ALL OF THIS GOES TOO/LOVE YOU SAVE/THE TRUTH IS A LIE: AMERICAN SOUL MUSIC 1955-1972
Neil Young – ROXY: TONIGHT’S THE NIGHT LIVE and SONGS FOR JUDY
James Booker – THE LOST PARAMOUNT TAPES
Prince – PIANO & A MICROPHONE
The Paranoid Style – ROCK & ROLL JUST CAN’T RECALL + 3
Lee Bains III and Glory Fires – LIVE AT THE NICK
Jason Isbell and the 400 Unit – LIVE FROM THE RYMAN
Bobbie Gentry – THE GIRL FROM CHICKASAW COUNTY and LIVE AT THE BBC
Mount Eerie – (AFTER)

Here’s a playlist I made with some of my favorite songs of the year. (Teardrop City isn’t on Spotify, but you can find their album here.)

Standard

Yo, Ray Boy

The Pegasus Crime reissue of Gravesend is the lead review in Marilyn Stasio’s New York Times crime column today.

****

Last Sunday, the great George Pelecanos mentioned that he was reading The Lonely Witness in his New York Times By the Book feature. Pelecanos has been one of my biggest writing heroes for a while now, and it’s such a big honor to see The Lonely Witness mentioned here, especially alongside all the other incredible books he’s talking about. When I was in my early twenties, I found a copy of The Big Blowdown at a library sale in Poughkeepsie. I read it and was knocked clean out. I tracked down every other Pelecanos book–at that point, it was the Nick Stefanos series, Shoedog, the rest of the D.C. Quartet, and Right as Rain. I bought every new book after that as it came out. I loved his writing for The Wire. I read every interview with him I could find and sought out the authors he recommended. The first I ever heard of Megan Abbott was because George Pelecanos recommended her books. Same goes for Vicki Hendricks, Willy Vlautin, Don Carpenter, and Newton Thornburg. He’s also great on music and movies. I can’t even start to list the stuff I listened to because he put it on a playlist or watched because he mentioned it.

****

Here’s a thoughtful-as-hell review of Gravesend by Thomas Pluck over at Criminal Element. This one means a lot. Other than older books by John Fante, Salvatore La Puma, and Pietro di Donato, I never found much about the Italian-American experience that hit me the right way, and it was important to write the book I wanted to see and to get all that right. To be mentioned in the same space as Price’s The Wanderers and Season 2 of The Wire knocks me out.

****

When I was 13, David Lynch’s Wild at Heart came out. I saw it and loved it and got it on VHS as soon as I could. I also tracked down the book by Barry Gifford, and it blew me away. I didn’t really know at that point that books could be like that. I’ve got lots of favorite writers, but Gifford’s been a consistent for over twenty-five years—his bio on Jack Kerouac, his film noir essays, his novels and poems and plays, his work with David Lynch, and (maybe above all) his Black Lizard line of books, which introduced me to Willeford and Goodis and furthered my love of Thompson. Anyhow, the first blurb for my new novel, A Friend is a Gift You Give Yourself, is in, and I’m goddamn floored:

“One thing to appreciate about William Boyle’s process is that, not unlike the late, great Charles Willeford, he takes his time, he doesn’t rush the reader. This is a significant trait, more important than it sounds, the method of a confident writer. He builds his characters patiently, allowing them to adjust to one another, not merely throw lines to titillate the reader. In A Friend is a Gift You Give Yourself, Wolfie Wolfstein is as comfortably intact a creature as any crime writer of recent vintage has put together. I gleefully anticipate the coming of a movie or better yet a TV series in her name.” —Barry Gifford, author of Sailor & Lula: The Complete Novels and The Cuban Club

****

I now have an entry at the Mississippi Writers & Musicians page.

****

Got to talk about dream casts for movie versions of Gravesend and The Lonely Witness over at My Book, the Movie.

 

Standard